Am I Going to Heaven, Hell, or the Next Guggenheim?

I responded to this piece immediately when that ton was delivered, but I found a quarry fault and put it aside the idea of making some Frank Ghery/Guggenheim inspired sculpture. Almost a year later I wanted to make a couple of arrows and examined the piece again. Using that side for the arrows would keep the majority of that side intact for stability. The white, misty interlayer between the arrows and the structure was simply that until an "eye" popped out and continued to elongate rather than shrink when I carved deeper. I wanted to at least abstract the eye as much as possible, and I was able to carve the hints of faces emerging from the mist and looking out in both directions .

Am I Going to Heaven, Hell, or the Next Guggenheim? still seems like a good, but somewhat pompous, question.